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		<title>Ameraycan Studio B</title>
		<link>http://paramountrecording.com/2011/09/ameraycan-studio-b/</link>
		<comments>http://paramountrecording.com/2011/09/ameraycan-studio-b/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 17:27:26 +0000</pubDate>
		<dc:creator>pmountrecord</dc:creator>
				<category><![CDATA[Studio B]]></category>

		<guid isPermaLink="false">http://paramountrecording.com/?p=519</guid>
		<description><![CDATA[Rates Studio A 24/48 Track $1,650/day About Studio B Ameraycan was built in the mid 1970’s by famed artist-producer Ray Parker, Jr. as his personal recording studio. Ray was the session guitar player on all the great Stevie Wonder records, and then became a household name for writing and recording the hit song “Ghostbusters”. The [...]]]></description>
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<p><strong><span style="color: #ff9900;">Rates</span></strong><br />
<strong><span style="color: #ff9900;">Studio A 24/48 Track</span></strong><br />
<strong><span style="color: #ff9900;">$1,650/day</span></strong></p>
<p>
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<br />
<strong></strong></p>
<h2>About Studio B</h2>
<p>Ameraycan was built in the mid 1970’s by famed artist-producer Ray Parker, Jr. as his personal recording studio. Ray was the session guitar player on all the great Stevie Wonder records, and then became a household name for writing and recording the hit song “Ghostbusters”. The facility was designed by Jack Edwards who also designed studios such as United Western and Ocean Way with Bill Putnam. As Ray expanded the building it became one of the top mix studios in Los Angeles.</p>
<p>When first opened, the two-room facility with a private production suite operated with the newest technology available and was also the first facility to have SSL consoles in both studios, a clear commitment by Ray Parker Jr. to have the best of the best.</p>
<p>The studio became a popular commercial studio with the likes of Billy Idol, Miles Davis, and Cypress Hill calling the studio home for months on end for their recordings. Paramount purchased Ameraycan in 2000 and the studio went through a large renovation with the addition of a 80 channel G+ SSL (with ultimation) console in Studio B and the addition of 16 channels to the 56 channel SSL G in studio A to make it a 72 channel console.</p>
<table width="895" border="0" cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td align="left" valign="top" width="300"><span style="color: #ff9900;"><strong>Equipment</strong></span></p>
<p style="padding-left: 30px;">SSL 4000 G+, 80 inputs w/Utimation,56 E modules<br />
Pro Tools HD3 Accel, with 48 outputs<br />
16 Ch G Series EQ<br />
Studer 820 1/2&#8243; 2-Track<br />
Studer 827 24-track<br />
Augspurger TAD Monitor Speakers<br />
GML Stereo Mic Pre<br />
GML 8200 Stereo Parametric EQ<br />
API 550A EQs (4)<br />
Neve 3104 MicPre/EQs (2)<br />
Neve 1073 EQ (2)<br />
Lexicon 480L<br />
Lexicon PCM-80 Reverb<br />
Lexicon PCM-42 Delays (3)<br />
Lexicon PCM-70<br />
Avalon 2055 Stereo EQ<br />
Avalon 2044 Stereo Compressor<br />
Avalon 747 stereo compressor/EQ (Tube)<br />
Empirical Labs Distressor (2)<br />
Pultec EQP-1A<br />
Tubetech PE-1B EQ<br />
Sony R-7 Reverb<br />
AMS RMX-16 Reverb<br />
AMS DMX 1580S Delay<br />
Yamaha Rev-5 Reverb<br />
Yamaha SPX-900 Reverb<br />
Yamaha SPX-990 Reverb<br />
Yamaha SPX 90 II (2)<br />
Drawmer 201 Stereo Gate (2)<br />
TC Electronics 2290 Delays (2)<br />
DBX 902 De-Essers (4)<br />
DBX 160VU Compressors (2)<br />
Urei LA-2A Compressor (1)<br />
Urei 1176LN Compressor (2)<br />
Demaria Labs ADL 1000 Compressor<br />
Eventide H-3000 Harmonizer w/sampling<br />
Eventide DSP 4000 Harmonizer<br />
Apogee Rosetta AD Converter<br />
Lynx Timeline Synchronizers<br />
Panasonic SV3800 DAT Machine (2)<br />
Panasonic SV3700 DAT Machine<br />
Tascam 122 Cassette Deck<br />
HHB 830 Burn-It Plus CD Recorder</p>
</td>
<td align="left" valign="top" width="300"><span style="color: #ff9900;"><strong>Microphones</strong></span></p>
<p style="padding-left: 30px;"><strong></strong>Telefunken 251 tube<br />
Neumann U-47 tube<br />
Neumann U-47 fet<br />
Neumann U-67 tube<br />
Neumann U-87<br />
Neumann TLM-170<br />
Neumann KM-84<br />
Sony 800G Tube<br />
Sony C-38<br />
AKG C-24 tube<br />
AKG C-12 tube<br />
AKG 414<br />
AKG 451<br />
AKG D112<br />
AKG SE 300B<br />
AKG &#8220;The Tube&#8221;<br />
AKG 460<br />
Audio Technica Pro 37R<br />
Audio Technica ATM 25<br />
Royer 121 Ribbon<br />
B&amp;K 4011<br />
Coles 4038 Ribbon<br />
Sennheiser 421<br />
Shure Beta 56<br />
Shure SM-57<br />
Shure SM-58<br />
Shure SM-81<br />
Shure 520 Bullet<br />
Electrovoice RE-20<br />
Crown PZM plate</p>
</td>
<td align="left" valign="top" width="300"><span style="color: #ff9900;"><strong>Floating Equipment</strong></span></p>
<p style="padding-left: 30px;">Neve 1081 Mic pre/EQ<br />
Neve 1073 Mic pre/EQ<br />
Neve 1064 Mic pre/EQ<br />
Neve 3104 Mic pre/EQ<br />
Neve 1081 Mic pre/EQ<br />
Neve 2254 compressor<br />
API 3124 4 ch. Mic pre<br />
EMT 251 Reverb<br />
Focusrite ISA 110 Mic pre/EQ<br />
Avalon M22 stereo mic pre<br />
SSL XLogic channel strips<br />
Two channel SPL Transient Designer<br />
Manley Labs Massive Passive EQ<br />
Joe Meek VC-2 Mic pre/Compressor<br />
Fender Rhoads electric piano<br />
Private Q personal Headphone mixing<br />
System</p>
</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		</item>
		<item>
		<title>Ameraycan Studio A</title>
		<link>http://paramountrecording.com/2011/09/ameraycan-studio-a/</link>
		<comments>http://paramountrecording.com/2011/09/ameraycan-studio-a/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 17:26:41 +0000</pubDate>
		<dc:creator>pmountrecord</dc:creator>
				<category><![CDATA[Studio A]]></category>

		<guid isPermaLink="false">http://paramountrecording.com/?p=516</guid>
		<description><![CDATA[Rates Studio A 24/48 Track $1,250/day &#160; About Studio A Ameraycan was built in the mid 1970’s by famed artist-producer Ray Parker, Jr. as his personal recording studio. Ray was the session guitar player on all the great Stevie Wonder records, and then became a household name for writing and recording the hit song “Ghostbusters”. [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-508" title="amera-a" src="http://paramountrecording.com/wp-content/uploads/2011/09/amera-a.jpg" alt="" width="920" height="342" /></p>
<p><span style="color: #ff9900;"><strong>Rates</strong></span></p>
<p><span style="color: #ff9900;"><strong>Studio A 24/48 Track</strong></span></p>
<p><span style="color: #ff9900;"><strong>$1,250/day</strong></span></p>
<p>&nbsp;</p>
<h2>About Studio A</h2>
<p>Ameraycan was built in the mid 1970’s by famed artist-producer Ray Parker, Jr. as his personal recording studio. Ray was the session guitar player on all the great Stevie Wonder records, and then became a household name for writing and recording the hit song “Ghostbusters”. The facility was designed by Jack Edwards who also designed studios such as United Western and Ocean Way with Bill Putnam. As Ray expanded the building it became one of the top mix studios in Los Angeles.</p>
<p>When first opened, the two-room facility with a private production suite operated with the newest technology available and was also the first facility to have SSL consoles in both studios, a clear commitment by Ray Parker Jr. to have the best of the best.</p>
<p>The studio became a popular commercial studio with the likes of Billy Idol, Miles Davis, and Cypress Hill calling the studio home for months on end for their recordings. Paramount purchased Ameraycan in 2000 and the studio went through a large renovation with the addition of a 80 channel G+ SSL (with ultimation) console in Studio B and the addition of 16 channels to the 56 channel SSL G in studio A to make it a 72 channel console.</p>
<p>&nbsp;</p>
<table width="895" border="0" cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td align="left" valign="top" width="300"><span style="color: #ff9900;"><strong>Equipment</strong></span></p>
<p style="padding-left: 30px;">SSL 4000 G/G+, 72 inputs, 16 E modules</p>
<p>Pro Tools HD3 with 48 outputs</p>
<p>Studer 827 24 Track</p>
<p>Studer 820 1/2&#8243; 2-Track</p>
<p>Augspurger TAD Monitors</p>
<p>Yamaha C7 Grand Piano</p>
<p>GML 8200 Stereo Parametric</p>
<p>Manley Variable MU Stereo Limiter</p>
<p>Summit EQP-200B EQ</p>
<p>Pultec EQP-1R</p>
<p>Tubetech PE-1B EQ</p>
<p>AMS RMX-16 Reverb</p>
<p>AMS DMX 1580S Delay</p>
<p>Neve 1073 Mic Pre/EQ&#8217;s (2)</p>
<p>API 550A EQs (4)</p>
<p>Lexicon 480L</p>
<p>Lexicon PCM-42 Delays (3)</p>
<p>Lexicon PCM-80 Reverb</p>
<p>Empirical Labs Distressor (2)</p>
<p>DBX 165 Limiters (2)</p>
<p>DBX 160VU Compressors (2)</p>
<p>DBX 160X Compressors (2)</p>
<p>DBX 902 De-essers (4)</p>
<p>Urei LA-2A Compressors (2)</p>
<p>Urei 1176 LN Limiter (2)</p>
<p>Urei 1178 Stereo Compressor</p>
<p>TC Electronics 2290 Delays (2)</p>
<p>Eventide H-3000 Harmonizer</p>
<p>Eventide DSP 4000</p>
<p>Drawmer 201 Stereo Gate</p>
<p>Yamaha SPX 90-II</p>
<p>Yamaha Rev-5 Reverb</p>
<p>Yamaha Rev-7 Reverb</p>
<p>Roland SE-50 Reverb (2)</p>
<p>Roland SDE 3000 Delay</p>
<p>Sony R-7 Reverb</p>
<p>Apogee Rosetta AD Converter</p>
<p>Panasonic 3800 DAT Machine (2)</p>
<p>Lynx Timeline Synchronizers (2)</p>
<p>Tascam CD-RW700 CD Recorder</td>
<td align="left" valign="top" width="300"><span style="color: #ff9900;"><strong>Microphones</strong></span></p>
<p style="padding-left: 30px;"><strong></strong>Telefunken 251 tube</p>
<p>Neumann U-47 tube</p>
<p>Neumann U-47 fet</p>
<p>Neumann U-67 tube</p>
<p>Neumann U-87</p>
<p>Neumann TLM-170</p>
<p>Neumann KM-84</p>
<p>Sony 800G Tube</p>
<p>Sony C-38</p>
<p>AKG C-24 tube</p>
<p>AKG C-12 tube</p>
<p>AKG 414</p>
<p>AKG 451</p>
<p>AKG D112</p>
<p>AKG SE 300B</p>
<p>AKG &#8220;The Tube&#8221;</p>
<p>AKG 460</p>
<p>Audio Technica Pro 37R</p>
<p>Audio Technica ATM 25</p>
<p>Royer 121 Ribbon</p>
<p>B&amp;K 4011</p>
<p>Coles 4038 Ribbon</p>
<p>Sennheiser 421</p>
<p>Shure Beta 56</p>
<p>Shure SM-57</p>
<p>Shure SM-58</p>
<p>Shure SM-81</p>
<p>Shure 520 Bullet</p>
<p>Electrovoice RE-20</p>
<p>Crown PZM plate</td>
<td align="left" valign="top" width="300"><span style="color: #ff9900;"><strong>Floating Equipment</strong></span></p>
<p style="padding-left: 30px;">Neve 1081 Mic pre/EQ</p>
<p>Neve 1073 Mic pre/EQ</p>
<p>Neve 1064 Mic pre/EQ</p>
<p>Neve 3104 Mic pre/EQ</p>
<p>Neve 1081 Mic pre/EQ</p>
<p>Neve 2254 compressor</p>
<p>API 3124 4 ch. Mic pre</p>
<p>EMT 251 Reverb</p>
<p>Focusrite ISA 110 Mic pre/EQ</p>
<p>Avalon M22 stereo mic pre</p>
<p>SSL XLogic channel strips</p>
<p>two channel SPL Transient Designer</p>
<p>Manley Labs Massive Passive EQ</p>
<p>Joe Meek VC-2 Mic pre/Compressor</p>
<p>Fender Rhoads electric piano</p>
<p>Private Q personal Headphone mixing</p>
<p>System</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<item>
		<title>Foster the People taking a break with Kimbra and engineer Julian Prindle</title>
		<link>http://paramountrecording.com/2011/09/megan-wins-the-lottery/</link>
		<comments>http://paramountrecording.com/2011/09/megan-wins-the-lottery/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 23:35:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Studio Updates]]></category>

		<guid isPermaLink="false">http://www.paramountrecording.com/wp/?p=346</guid>
		<description><![CDATA[Foster the People&#8217;s Isom and Mark take a short break from working with Kimbra and engineer Julian Prindle in the Paramount Recording Studio lobby. &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160;]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-792" title="417145_10150633264557928_321435427927_9064035_1707405442_n" src="http://paramountrecording.com/wp-content/uploads/2011/09/417145_10150633264557928_321435427927_9064035_1707405442_n.jpg" alt="" width="960" height="778" /></p>
<p>Foster the People&#8217;s Isom and Mark take a short break from working with Kimbra and engineer Julian Prindle in the Paramount Recording Studio lobby.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<item>
		<title>Common Comes to Paramount!</title>
		<link>http://paramountrecording.com/2011/08/the-game-collaborates-with-other-legends-for-new-album/</link>
		<comments>http://paramountrecording.com/2011/08/the-game-collaborates-with-other-legends-for-new-album/#comments</comments>
		<pubDate>Fri, 12 Aug 2011 13:16:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Studio Updates]]></category>

		<guid isPermaLink="false">http://www.paramountrecording.com/wp/?p=40</guid>
		<description><![CDATA[Hip-Hop artist and actor Common taking a moment to pose with recording engineer Randy Urbanski and studio manager Megan Milius. &#160; &#160; &#160; &#160; &#160; &#160;]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-800" title="547052_3747226764911_1403567254_33597867_1033981403_n" src="http://paramountrecording.com/wp-content/uploads/2011/08/547052_3747226764911_1403567254_33597867_1033981403_n.jpg" alt="" width="612" height="612" />Hip-Hop artist and actor Common taking a moment to pose with recording engineer Randy Urbanski and studio manager Megan Milius.</p>
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